Oil, acrylic, gold leaf on canvas, 46″ x 64″, 2025
A lush, regal facade of suspended gold mirrors with white bows evoke a high-fashion “sweetness” curated for the superficial gaze. The painted background, a vintage damask pattern, hinting at a microchip or motherboard design, alludes to technocracy where every connection is tracked and harnessed, including nature. While the bluebirds escape this grid to represent a fleeting glimpse of true freedom, the viewer remains a suspended ornament, trapped within a digital unreality where privacy is being eroded.
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